Showing posts with label live. Show all posts
Showing posts with label live. Show all posts

Saturday, 13 December 2014

Single Of The Week ~ Joe Bonamassa & Beth Hart ~ Miss Lady


Hello and welcome to this weeks single of the week! This week I have been really getting back into an artist called Beth Hart recently and in particular one of the songs she performed with Joe Bonamassa on a duet album they made called "Miss Lady". This album came out last year and if you love soul, blues and funk then this is an album for you. 

'Miss Lady' from the first note gives you everything its got and still delivers throughout the song. They have really given this song a lot of thought with all of the breaks in it. Each individual instrument is heard clearly on this song from horns, organ, guitar, bass and of course Beth's vocals. 

The horns are a fantastic edition to the song, it really gives the song a completely new dimension. Using them for the introduction, you know that there's something special on offer. If you really focus on listening to them they're giving the song a lot of diversity and driving the song forward. They can sometimes be overshadowed by Joe's guitar playing, especially in the solo, but keeping song grooving is what it needs. 

One of the highlights of this song is Beth's incredibly soulful voice. With that rasp in her voice, it gives her vocals that edge that is so distinctive. Especially in the break down which sounds like the song is ending already, she really gives it everything she's got. It sounds like she is shouting because of that rasp in her voice, but its pure notations from her and sounds breathtaking!

I would recommend any album by her if you enjoy this song. Even on some of the more mellow songs, her voice continues to impress me. I look forward to a new album from her very soon as its been a long time coming! Even if its another collaboration album with Joe Bonamassa, it would still be an excellent piece of music on display. 


Photo Credit: Christie Goodwin

If you think from this track she is good live, I can wholeheartedly tell you she is incredible live and she's coming back to the UK for a tour next Spring! Here are the dates:


Bristol Colston Hall                         Friday May 1
Liverpool Philharmonic Hall       Sunday May 3
Glasgow O2 ABC                              Wednesday May 6
London Barbican                              Friday May 8
Leeds Academy                                Saturday May 9
Cambridge Corn Exchange           Monday May 11
Nottingham Rock City                    Wednesday May 13

You can expect to find me at the UK date for sure, I've seen her twice already too! Thank you very much for reading and until next time. 

Lewis 











Friday, 21 November 2014

Live Review ~ Joanne Shaw Taylor ~ Shepherds Bush Empire 19/11/2014

The evening started out in anticipation from Whitesnake guitarist Bernie Marnsden. He graced his presence on stage and was performing acoustically to start the evening off. He was welcomed by the crowd with a huge round of applause. Has a great stage presence that had the whole venue intently listening. 

Halfway through his set Bernie brings out a lovely looking velvet red double necked guitar. He said 'I've owned this for 40 years' and the tone that came from that guitar couldn't be re-created, it was a mesmerising sound. One stand-out song for me was his rendition of 'Dragonfly' by Fleetwood Mac. A beautiful rendition of which was one of Bernie's favourites to play. 

In-between songs he was cracking jokes and telling stories from his adventures on the road. He dedicated a few songs to certain people like Bobby Bland and Gary Moore. Before the song 'Dragonfly' he amused us with his attempt to bring Peter Green into the studio to record this song with Bernie for his latest album. As he played his final note of the set, the audience erupted in applause and before he left the stage he said "thanks for listening". 

Photo by MHP Studios

After a short interval, Joanne Shaw Taylor came onto the stage with her band and blasted into 'Mud Honey', the latest single off her new album 'The Dirty Truth'. The three opening songs were fast-paced and packed full of solo's from Taylor. Though at times were hard to pick out every note, you could see from her expressions she meant each one. 

The song "Jealousy" brought the high energy down to a slow number. This was the song that everyone could really start to hear the emotion Taylor puts into each song as the band were playing at the very minimum and let Taylor sing out the lyrics. In the solo she managed to muster up the highest notes on her guitar possible which was very impressive and a show in itself. 

With the gig in full swing, Taylor is bringing out top level blues for each song. At one point she introduces one of her band members on keys and the lighting focuses on him. Preparing myself for an epic keys solo it was cut short to carry on the song which was a slight oversight for the evening. She even added some comedy about her song "Wrecking Ball" and a comparison to Miley Cyrus that had the hall erupt with laughter. 

Coming into the latter end of the gig, Bernie Marnsden was re-introduced back onto the stage that was accompanied by another huge round of applause from the audience. They played two songs together that were "Walking In The Shadow Of The Blues" and "Let It Burn". In the second song Taylor and Marnsden battled it out with a call and response both constantly smiling as they pick out their best work to demonstrate to each other. It was great to see both having such a good time. 

The whole performance seemed to have notched up a gear after Bernie left the stage once again. The whole band seemed to be pumped with energy and really getting into each song. Strong and grungy guitar melodies were the essence of the final few numbers from Taylor's set. 

Photo by John Bull

Joanne's solo in "Going Home" was the best of the evening. Each note engraved into her fingers to be blasted out to the audience. It was a real spectacle of true emotion played into just one solo. Out of all the solo's she performed on the night, this was one the stand-out even if the others were just as spectacular.

After her final song she left the stage and was asked back for more by the audience with continuous clapping and foot stomping. She came back to end the show with "The Dirty Truth". After she finished her encore everyone was applauding her as the house lights came on to end the show. The gig was a success for all and the audience left with smiles on their faces. 

In conclusion, Joanne Shaw Taylor put on a show and pulled out all the stops in her performance. Each song had its own identity and was executed with style, grace and power. I would recommend going to her live to anyone who enjoys seeing some impressive guitar solo's and hard-hitting blues. After the show Joanne seemed happy with herself and said how much she enjoyed this evenings event. I'm sure I will be back to see one of her gigs next year.

Wednesday, 5 November 2014

Album Review ~ John Mayer ~ Where The Light Is: John Mayer Live In Los Angeles


Hello!

Welcome to this weeks main review. Today, I'm taking you all back to 2007 when John Mayer recorded a live album in Los Angeles. This album was made around the time of his best album "Continuum" with the likes of "Vultures", "Slow Dancing In A Burning Room" and "Gravity" coming from the album to name but a few. 

The reason I'm reviewing this album is because over the past few weeks I've been really getting into the album. Its a fantastic live album, one of the best personally and I wanted to share it on my blog, so, enjoy!

With a long list of quality songs on his back, this live gig was shaped up to be one of his best. He starts the set off with 4 acoustic songs including "Stop This Train" and "Free Fallin'". A mellow way to start off a gig, but with some of his biggest songs. These are definitely the most intimate songs on the album. There's no percussion or anything to support the rhythm, it genuinely is just Mayer and his guitar. 

A personal favourite on the acoustic section is "In Your Atmosphere". Its a free-flowing riff that Mayer plays expertly that sounds like a part written for two guitars. Mayer is known for his top songwriting and this song bares no exception to this, as well as his vocals. They're displayed in this song the best with some difficult high notes to reach, but sings with ease. 

So, with four songs down, time to crank it up and introduce Pino Palladino (bass) and Steve Jordan (drums) to make up the 'John Mayer Trio'. Introducing the trio is a song called "Everyday I Have The Blues" which is a cover of BB King's famous song that comes in with a bang. A blues shuffle with some electric guitar solo's cranks the gears up from the acoustic set earlier. 

Pino Palladino has worked with some of the best in the industry. He's worked with the likes of Simon & Garfunkel, Jools Holland, Eric Clapton, The Who and Adele. To be accompanied by the effortlessly talented Steve Jordan on drums that makes the line-up seem like some sort of royalty. Steve Jordan has worked with the likes of Bob Dylan, Eric Clapton, BB King, Stevie Nicks, Keith Richards and Buddy Guy. Need I say more about the line-up!?

When you get into the groove of "Wait Until Tomorrow" and "Who Did You Think I Was" you can get a real feel of what's in store for the rest of the record. Tight drums, groovy, fast paced guitar chords and solo's accompanied with slick bass. Both these songs are a great introduction to the trio and with the album not even halfway through, its certainly build up the excitement for what's in store. 

Steve Jordan, John Mayer and Peter Palladino

Getting to the song "Out Of Mind" is a real treat for the ears if you're into your guitar solo's. This is the song to really dig deep into Mayer's guitar skills, its clean guitar, but the sounds he can get out of it are astonishing. This song is practically one big solo with some vocals here and there with solid grooving drums and bass. This is the first song you can really hear how locked in and professional Jordan and Palladino are. 

The only song that can get slightly tedious on the record is the song "Bold As Love". Mayer does a corny speech in the middle about how "he made it happen for himself" and about love. To me it wasn't necessary, but ends of with a nice little drum solo and instrumental so I'll let that part slide. 

One of my favourites on this album is "Slow Dancing In A Burning Room", just purely because it's such a beautiful song. Performed really well live on this album too, the backing vocals are to the point which you can't really pick up that well on any other song apart from "Gravity" a bit later on.

Other songs on the album that are a stand-out are "Why Georgia", "I Don't Need No Doctor" (that is just the grooviest 'headbopping' song) and "Gravity". Though the album ends on more the mellow side, it ends on a great song called "I'm Gonna Find Another You". 

All in all I hope this review has made you think about giving this album a listen. If you enjoy listening to blues, groovy tunes and John Mayer then this is the album for you. Its out of CD, 4xLP Vinyl and Digital Download. It was also recorded for a DVD too, so you can see the concert for yourself and how it was performed!

Thank you very much for reading (if you made it all this far down especially) and until next time. 

Lewis



"Gravity"



Website: http://johnmayer.com/

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