EP Review ~ Friar's Lantern ~ The Moments That Define Us: Part 1

Welcome to this weeks EP review, today I have a band who have featured on this blog twice already! They're popular with Love Life, Love Music! They're called Friar's Lantern and they have recently released an EP to follow up from the hype they've received from previous releases. Each release has been reviewed on my blog and a link to those will be at the bottom of this review. 

Friar's Lantern are a electronic ambient duo from Brighton, UK. They have really stepped up their game from their first single release. This EP is one for headphones to really let your ears listen to everything that's going on in the music. The introduction really gives the listener a feel for what is to come. A driving and heavy electronic drum beat accompanied by some quite enthralling bass. 

Friar's Lantern's persona in their music is stamped by the way they use quotes from films as part of the music. A cinematographic outlook on their music is the way to approach this one of a kind style that isn't being done anywhere else. Each quote they use has a very interesting meaning behind it. My favourite quote out of all of them is in the last song "Telos" and the quote is "Music is more than a matter of playing the right notes".   

For the interlude in the EP, they have taken parts from the track before called "Voices". I really like the way they've done this, it takes you back to the track before and makes you remember what was played. They made it sound slightly 'Doctor Who' like within the track that is very atmospheric. 

My personal favourite is the final track on the EP, "Telos". It really displays what Friar's Lantern are capable of and Hayden's guitar skills are demonstrated throughout this song. From simple delicate tones to using pedals to make it sound harsh and brash for what the song needs. Though the song does end quite suddenly, which was a bit of a shock considering it keeps building towards then end, its definitely the stand-out track on the EP. 

I really enjoyed this EP and I'd like you all to go check it out and see what you think of it yourself. Friar's Lantern's music is nothing I've heard out there and certainly has made a long lasting impression on me. I look forward to Part 2 of their EP coming in 2015 and you can be sure there will be a review of it too. 

Thank you very much for reading and until next time. 

Lewis 


Listen to the EP - here


Reviews:

Possessive Voices

Introduction

Links:

Facebook

Twitter

Live Review ~ Joanne Shaw Taylor ~ Shepherds Bush Empire 19/11/2014

The evening started out in anticipation from Whitesnake guitarist Bernie Marnsden. He graced his presence on stage and was performing acoustically to start the evening off. He was welcomed by the crowd with a huge round of applause. Has a great stage presence that had the whole venue intently listening. 

Halfway through his set Bernie brings out a lovely looking velvet red double necked guitar. He said 'I've owned this for 40 years' and the tone that came from that guitar couldn't be re-created, it was a mesmerising sound. One stand-out song for me was his rendition of 'Dragonfly' by Fleetwood Mac. A beautiful rendition of which was one of Bernie's favourites to play. 

In-between songs he was cracking jokes and telling stories from his adventures on the road. He dedicated a few songs to certain people like Bobby Bland and Gary Moore. Before the song 'Dragonfly' he amused us with his attempt to bring Peter Green into the studio to record this song with Bernie for his latest album. As he played his final note of the set, the audience erupted in applause and before he left the stage he said "thanks for listening". 

Photo by MHP Studios

After a short interval, Joanne Shaw Taylor came onto the stage with her band and blasted into 'Mud Honey', the latest single off her new album 'The Dirty Truth'. The three opening songs were fast-paced and packed full of solo's from Taylor. Though at times were hard to pick out every note, you could see from her expressions she meant each one. 

The song "Jealousy" brought the high energy down to a slow number. This was the song that everyone could really start to hear the emotion Taylor puts into each song as the band were playing at the very minimum and let Taylor sing out the lyrics. In the solo she managed to muster up the highest notes on her guitar possible which was very impressive and a show in itself. 

With the gig in full swing, Taylor is bringing out top level blues for each song. At one point she introduces one of her band members on keys and the lighting focuses on him. Preparing myself for an epic keys solo it was cut short to carry on the song which was a slight oversight for the evening. She even added some comedy about her song "Wrecking Ball" and a comparison to Miley Cyrus that had the hall erupt with laughter. 

Coming into the latter end of the gig, Bernie Marnsden was re-introduced back onto the stage that was accompanied by another huge round of applause from the audience. They played two songs together that were "Walking In The Shadow Of The Blues" and "Let It Burn". In the second song Taylor and Marnsden battled it out with a call and response both constantly smiling as they pick out their best work to demonstrate to each other. It was great to see both having such a good time. 

The whole performance seemed to have notched up a gear after Bernie left the stage once again. The whole band seemed to be pumped with energy and really getting into each song. Strong and grungy guitar melodies were the essence of the final few numbers from Taylor's set. 

Photo by John Bull

Joanne's solo in "Going Home" was the best of the evening. Each note engraved into her fingers to be blasted out to the audience. It was a real spectacle of true emotion played into just one solo. Out of all the solo's she performed on the night, this was one the stand-out even if the others were just as spectacular.

After her final song she left the stage and was asked back for more by the audience with continuous clapping and foot stomping. She came back to end the show with "The Dirty Truth". After she finished her encore everyone was applauding her as the house lights came on to end the show. The gig was a success for all and the audience left with smiles on their faces. 

In conclusion, Joanne Shaw Taylor put on a show and pulled out all the stops in her performance. Each song had its own identity and was executed with style, grace and power. I would recommend going to her live to anyone who enjoys seeing some impressive guitar solo's and hard-hitting blues. After the show Joanne seemed happy with herself and said how much she enjoyed this evenings event. I'm sure I will be back to see one of her gigs next year.

Album Review ~ Bear's Den ~ Islands

Hello!

Welcome to this weeks main review. This week I have a folk/alternative band to review that go by the name of Bear's Den who are from London, UK. The three piece released their debut album 'Islands' on 20th October and I'm here to tell you what the album is like. 

Their band name  "Bear's Den" has been a band I'd keep constantly hearing about. Whether it be BBC Radio 6, Radio 2 or just from other people recommending them. So I finally got round to jumping on Spotify and checking them out and was incredibly surprised at the quality of this three piece and nothing like what I was expecting. 

Bear's Den bring to the table an album of chilled out folk music accompanied with guitars and a banjo. Andrew Davie (vocals) brings out his calmly toned vocals to make the music sound delight to hear. This is not a band trying to make noise and get heard, they're making music by saying "You...come over here, sit with us and listen". I can't help when I listen to the record that I'm sitting round a camp fire and really taking in everything they're playing and saying about. Just me?

The album starts off with a cracking opener that is "Agape". Bringing together each main instrument, packing a punch from the drums followed by the distinctive vocals and some mellow backing vocals from Kev Jones and Joey Haynes. The backing vocals are very impressive and give the overall sound of the album promise for the other 9 songs much to look forward to. 

In the track "The Love We Stole", you can really get a feel for the Bear's Den sound. A sound that is very different to anything that is out there at the moment. When its hard for me to describe the genre and style of music, you know its good.

One of the more popular tracks on the album that is ""Above The Clouds Of Pompeii" starts off with a guitar rhythm that free-flowing and catchy. Everything just seems to fit for this song to be the best on the album. The bass drum at the end of the song can be quite heavy on the ears compared to the rest of the song, but this is only a minor set back.

The lyrics make the songs very home-grown, if I was to describe everything on the record in one word it would be home-grown. They all enjoy making the same music, nothing is over-done, nothing is pushed. Its all come from some inspirational songwriting and experience on the road. Quite a lot of the album involves adding things little by little. Possibly starting off with just a guitar and vocals, then adding bass, then a small drum beat. Its also adding in piano's and trumpets at the end to really give it a fulfilling end. 

"Think Of England" does the whole adding in instruments gradually very well. Its only until the end of the song you realise how much has been added since the beginning of the song when it ends with guitar and vocals. At the beginning of the song you know something is brewing with the beating bass drum accompanied with clapper and shaker. 


Songs like "Magdalene" on the record are as if they're just made for Bear's Den. A chilled out worry-free song was if it was meant to be written for them. Its so difficult to make something sound so relaxed and easy, this song does it very well. The vocals are the reason this song is so laid back, if it was a singer who signs very powerfully then it wouldn't work. 

In the song "When You Break", I think its a little unnecessary for them to say the line "I want to f*** away all my fear". I think the style that they're playing in has no need or use for swear words. Its meant to be free-flowing and heart warming, but throw in some swear words and it changes the mood of the album to angry and raging. 

Finishing off the album are some beautiful songs that include some of the most hauntingly graceful guitar tones as well as feeling like the album is coming to an end. The use of horns in "Elysium" bring everything together in the track to become one of the loudest, but is one of the best on the record. The last track "Bad Blood" also has this feeling of togetherness to bring an end to the album.

In conclusion, Bear's Den have really outdone themselves to produce an album of folk that I feel everyone should give a try. You'll more than likely find that you'll enjoy at least three of the songs on this album. There isn't a song on the album that is 'below par' from the others, each one has been carved into the 'Bear's Den' wooden hut to be shared with the world. I look forward to seeing what is in store for the band when they go on their first headline tour in 2015. 

Here are the dates: 

Fri 6 Feb	Birmingham	Temple	UK
Sun 8 Feb	Dublin	Workman’s Club	IE
Mon 09 Feb	Belfast	Voodoo	UK
Wed 11 Feb	Glasgow	Oran Mor	UK
Thu 12 Feb	Newcastle	Cluny	UK
Fri 13 Feb	Manchester	Gorilla	UK
Sun 15 Feb	Cardiff	Clwb Ifor Bach	UK
Mon 16 Feb	Oxford	Academy 2	UK
Wed 18 Feb	Brighton	Concorde 2	UK
Fri 20 Feb	Paris	Point Ephémère	FR
Sat 21 Feb	Brussels	Witloof Bar *NEW	BE
Mon 23 Feb	Amsterdam	Melkweg Old Hall	NL
Tue 24 Feb	Hamburg	Knust	DE
Wed 25 Feb	Cologne	Buergerhaus Stollwerck	DE
Fri 27 Feb	Munich	Strom	DE
Sat 28 Feb	Zurich	Mascotte	CH
Tue 3 Mar	London	O2 Shepherds Bush Empire	UK

Thanks for reading and until next time.

Lewis

Website: www.bearsdenmusic.co.uk/

Facebook: www.facebook.com/bearsdenmusic

Twitter: twitter.com/bearsdenmusic

Album Review ~ John Mayer ~ Where The Light Is: John Mayer Live In Los Angeles

Hello!

Welcome to this weeks main review. Today, I'm taking you all back to 2007 when John Mayer recorded a live album in Los Angeles. This album was made around the time of his best album "Continuum" with the likes of "Vultures", "Slow Dancing In A Burning Room" and "Gravity" coming from the album to name but a few. 

The reason I'm reviewing this album is because over the past few weeks I've been really getting into the album. Its a fantastic live album, one of the best personally and I wanted to share it on my blog, so, enjoy!

With a long list of quality songs on his back, this live gig was shaped up to be one of his best. He starts the set off with 4 acoustic songs including "Stop This Train" and "Free Fallin'". A mellow way to start off a gig, but with some of his biggest songs. These are definitely the most intimate songs on the album. There's no percussion or anything to support the rhythm, it genuinely is just Mayer and his guitar. 

A personal favourite on the acoustic section is "In Your Atmosphere". Its a free-flowing riff that Mayer plays expertly that sounds like a part written for two guitars. Mayer is known for his top songwriting and this song bares no exception to this, as well as his vocals. They're displayed in this song the best with some difficult high notes to reach, but sings with ease. 

So, with four songs down, time to crank it up and introduce Pino Palladino (bass) and Steve Jordan (drums) to make up the 'John Mayer Trio'. Introducing the trio is a song called "Everyday I Have The Blues" which is a cover of BB King's famous song that comes in with a bang. A blues shuffle with some electric guitar solo's cranks the gears up from the acoustic set earlier. 

Pino Palladino has worked with some of the best in the industry. He's worked with the likes of Simon & Garfunkel, Jools Holland, Eric Clapton, The Who and Adele. To be accompanied by the effortlessly talented Steve Jordan on drums that makes the line-up seem like some sort of royalty. Steve Jordan has worked with the likes of Bob Dylan, Eric Clapton, BB King, Stevie Nicks, Keith Richards and Buddy Guy. Need I say more about the line-up!?

When you get into the groove of "Wait Until Tomorrow" and "Who Did You Think I Was" you can get a real feel of what's in store for the rest of the record. Tight drums, groovy, fast paced guitar chords and solo's accompanied with slick bass. Both these songs are a great introduction to the trio and with the album not even halfway through, its certainly build up the excitement for what's in store. 

Steve Jordan, John Mayer and Peter Palladino

Getting to the song "Out Of Mind" is a real treat for the ears if you're into your guitar solo's. This is the song to really dig deep into Mayer's guitar skills, its clean guitar, but the sounds he can get out of it are astonishing. This song is practically one big solo with some vocals here and there with solid grooving drums and bass. This is the first song you can really hear how locked in and professional Jordan and Palladino are. 

The only song that can get slightly tedious on the record is the song "Bold As Love". Mayer does a corny speech in the middle about how "he made it happen for himself" and about love. To me it wasn't necessary, but ends of with a nice little drum solo and instrumental so I'll let that part slide. 

One of my favourites on this album is "Slow Dancing In A Burning Room", just purely because it's such a beautiful song. Performed really well live on this album too, the backing vocals are to the point which you can't really pick up that well on any other song apart from "Gravity" a bit later on.

Other songs on the album that are a stand-out are "Why Georgia", "I Don't Need No Doctor" (that is just the grooviest 'headbopping' song) and "Gravity". Though the album ends on more the mellow side, it ends on a great song called "I'm Gonna Find Another You". 

All in all I hope this review has made you think about giving this album a listen. If you enjoy listening to blues, groovy tunes and John Mayer then this is the album for you. Its out of CD, 4xLP Vinyl and Digital Download. It was also recorded for a DVD too, so you can see the concert for yourself and how it was performed!

Thank you very much for reading (if you made it all this far down especially) and until next time. 

Lewis

"Gravity"

Website: http://johnmayer.com/

Twitter: https://twitter.com/JohnMayer

Facebook: https://www.facebook.com/johnmayer

Album Review ~ Philip Sayce ~ Influence

Hello!

Welcome to this weeks main review! Today I have a Welsh born musician from Canada 
who goes by the name of Philip Sayce. Sayce is a blues/rock guitarist who has been rising up in the blues scene ever since his debut album 'Innerevolution'. His songwriting style and performance have had music critics singing his praises ever since.

I wanted to start off with a quote that Sayce said in his album trailer. " Music isn't about winning a spot on The Voice or American Idol, it's a life long commitment. It's paying respects to where this music came from". 

'Influence' is packed full of blues/rock that will have you listening to the album from top to bottom. The record displays genuine triumphs of songwriting from the roots of blues and Sayce is displaying the reasons why all music originated from the blues. The album seems to be teeming with guitar riffs with a helping of grunge on the side too. 

The high quality of the songwriting in the record comes down to being well thought out, crafted and countless amounts of hours spent on each song. Sayce and his producer are lovers of vintage instruments and sounds. For this album they managed to sit down and craft out a sound with every vintage piece of equipment they either owned or could get their hands on to get the right sound for the record. 

The overall sound to the album has all the technologies of today, but with that essence of the vintage sound they have been working on. Philip's sound isn't as clear as it could be, but this is definitely a positive point. It gives his voice that edge when he wants to belt some notes out in songs such as "Green Power" and "Sailin' Shoes".

His guitar tone provides a punch throughout and has definitely pulled out everything for this record. With solid beats and fills from the drums, each instrument used in this record keeps everything tight and exciting. The drums shine through on the song 'Evil Woman', as does Philips guitar skills. Powerfully struck chords and double bass work make this song one of the clear stand outs.

Sayce's guitar techniques and tone are thoroughly enjoyed in the instrumental song "Triumph". The amount of raw emotion and effort that has gone into playing that song reminds me a lot of when Hendrix played. You can sense a lot of passion in that song that gives you excitment and love towards the album. Sayce owes this album to many of the artists he grew up with such as Jimi Hendrix, Stevie Ray Vaughan and Eric Clapton. All of which you need to check out urgently to understand the sound that Philip has created for the album that is very influenced by those artists.

The tracks I would recommend are "Out Of My Mind", "Sailin' Shoes" , "Evil Woman" and "Triumph". These are ones to check out to get a feel of what Sayce's sound and tone is within the album. 

Overall, a blues/rock album that is high up on my list of the best albums of this decade. It displays unique songwriting abilities, the mentality of getting the vintage sounds and dedicating it to some of the best known artists in the business that would all be proud to hear. I was pleasantly surprised when I first heard the album and I hope you will too! Philip Sayce is fast becoming my new favourite guitarist and one that is bringing blues/rock back to the fore-front of music once again.

'Influence' is out now from all good record stores and online for digital download. 

A quick thank you message to Noble PR for hooking me up with Philip's album for this review. Thank you very much for reading and until next time. 

Lewis

Website: http://philipsayce.com/

Facebook: https://www.facebook.com/PhilipSayceMusic

Twitter: https://twitter.com/philipsayce

Album Review ~ We The Kings ~ Somewhere Somehow

Hello!

Welcome to blog post 36! Today I have an album that I have been listening to since its release last year and a band that I've been following for a good 2/3 years. 

We The Kings are a pop-punk band from Florida, USA and have always been a band I can fall back on for some great music. Their previous albums were a fantastic listen, as it was some ace American pop-punk tunes. Catchy, grungy, rocky with that dose of pop sprinkled on it to make me not listen to them.

We The Kings members are:

Travis Clark - Vocals/Guitar
Hunter Thomsen - Guitar/ Backing Vocals
Charles Trippy - Bass
Coley O'Toole - Keys/Backing Vocals/Guitar
Danny Duncan - Drums/ Percussion

I originally got into the band through Youtuber and bassist of the band Charles Trippy (CTFxC) when he had just joined the band (along with Coley O'Toole). I checked them out and I loved their sound they were producing and was surprised they weren't as well known as they were back in 2011. Releasing albums such as "Sunshine State of Mind" and "Smile Kid" they have just been escalating in their fame which is great to see because these guys deserve it! 

I went to see them live at the beginning of 2013 at Scala in London. Its safe to say, these guys rock on stage. The amount of energy they put into their shows is insane. They even made Hunter disappear with the insane amounts of smoke they were churning out in that small venue. A fantastic night and I was lucky enough to meet the band afterwards (expect Travis). 

So when the announcement of "Somewhere Somehow" was being announced I was really looking forward to some more music from the band. My first impressions on the album was certainly that it was...different. They have definitely matured with their sound, but I can't help but feel its lost its 'punk' side to the other albums and the sound that I was so familiar with. 


Giving the album some time, I have grown to love the album personally. Yes it does sound a lot different to the older albums, but they have always had that 'pop' persona about their sound. Songs like "Feel Alive" and "See You In My Dreams" have great chorus' that you can still head bang to, but not with so much grunge or punk. That doesn't mean they've lost their rock taste or that their live performances have numbed down...oh no!

At points I do personally feel like its moved too far away from the punk sides in songs such as 'Live Young Die Forever'. Purely for the fact that its electronic drums being used and as a drummer myself, I personally think acoustic has such a more powerful effect on songs. This is just personal preference though. 

I think some bands need that change to really make it in the business. This album has given the biggest step forward so far for the 5 piece and its easy to see why. The band have produced a fantastic record full of catchy rhythms, powerful chorus' and an all round lovable record to listen to. 

If I could describe the album in one it would be 'Fun'. The reason for this is just because each song doesn't make me really focus on anything too seriously. Each song has a 'fun' tone and has this vibe throughout to reflects on the bands live performance too. 

I have to give some major credit to the vocalist Travis for his wicked voice and great songwriting. If you look up the lyrics for each of the songs on any album, they have been really thought about and fit with each song We The Kings have released. That isn't easy to do either, but he makes it look easy!

The songs you should go check out are "Find You There", "Feel Alive", "Just Keep Breathing" and "Art Of War". All the others are great, but these are the ones to check out if you don't have time. 

Somewhere Somehow is out now in all good record stores and let me know what you thought of the songs/album if you've heard it! 

Thanks for reading and until next time

Lewis 

Website: wethekingsmusic.com

Facebook: www.facebook.com/wethekings

Twitter: www.twitter.com/wethekings

EP Review ~ Scribble Victory ~ Confidence

Hello!

Welcome to blog post 35 and happy 1st October too! Today I have a two piece from Derby called Scribble Victory. These guys have been going through the ranks of the business with numerous tours with some big artists and with the EP coming out next Friday, I'm expecting these boys to go to great heights. 

Recently the business has been overtaken with two piece bands such as Royal Blood and Honeyblood taking over BBC Radio 1 and 6 Music. It still baffles me how such an incredible sound can come from a duo and its the same with this band. 

Scribble Victory are:

Jamie Thompson - Vocals, Guitar
Tomas Ward - Vocals, Drums

Scribble Victory are an acoustic folk-rock duo that blend their harmonies with melodic rhythms and meandering guitar licks. For two people to create such an authentic sound is very impressive. In some stages of the EP it sounds quite minimalistic, but still keeps that aura about the band that they give throughout the EP. 

One of the stand out tracks to me is "Stalemate", its just such a catchy tune from just a few instruments. The acoustic guitar brings a lot to the table with the rhythm that you could hum along to easily. This track is a great example of the harmonising between Jamie and Tomas. Both blend together to make a really nice tone. 

The song writing for each song has been well thought out. I give credit to both members of the band for creating rhythms and tones that keep each song flowing. Give this EP a few listens and you'll start to really listen to the acoustic guitar especially. I think after about 4 runs through the EP I really got to know the songs so I could appreciate and take in the great guitar skills. 

Scribble Victory have been touring with a lot of names to shout about such as Johnny Foreigner, Tall Ships and Laura Stevenson. If they are securing fantastic opportunities such as this before this EP has been released then I am looking forward to following the band in their new adventures. 

The songs I would recommend to you if you haven't got time to listen to all 6 tracks are "You Wouldn't Change A Thing" and "Stalemate". The others are just as good, but these are the clear stand out tracks on this EP. 

In conclusion I really like this EP, I haven't heard a duo sound quite like this before. Its something I can't quite explain apart from saying the acoustic tones and strong drums keep the energy throughout with the distinctive vocals keeping the drive. I hope you all take the time to listen to the EP when it comes out on October 10th because these guys deserve a lot of support!

To get a flavour of the band, I'll leave the bandcamp link which has their last self-titled EP on there. This too is a fantastic edition to their overall music collection. Also a quick special thanks to Angela from Muddy Paw PR who introduced me to the band and asked me to review them. 

Thank you for reading and until next time.

Lewis

This is a song from their last self-titled EP called "Baby Steps"

Website -  www.scribblevictory.com

Bandcamp - http://scribblevictory.bandcamp.com/

Twitter - https://twitter.com/ScribbleVictory

Facebook - https://www.facebook.com/scribblevictory (Warning! Profile picture may contain Chuckle Brothers)

Soundcloud - soundcloud.com/scribblevictory